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    <loc>https://www.petrostreklis.com/bio</loc>
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    <lastmod>2022-07-27</lastmod>
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      <image:title>BIO - BIOGRAPHY</image:title>
      <image:caption>Petros Treklis graduated in 2010 from London’s ‘Laban Conservatoire’ with a BA (Hons) in Contemporary Dance, immediately after, joining Tavaziva Dance as a dance artist for several years. Whilst in London, Petros also appeared as a guest artist with Watkins Dance, worked with IJAD on their project ‘In-Finite Space’, AND DANCED for Place Prize Winner Riccardo Buscarini and Taiwanese Choreographer Hsiao-mei Ho for the ‘ArtsCross 2013 Project’. WHILST IN LONDON, Petros was also invited to perform with akram khan company in the LONDON 2012 OLYMPICS OPENING CEREMONY. In 2014, Petros went on to join the prestigious Sydney Dance Company under the Artistic Directorship of Rafael Bonachela, performing works worldwide by Bonachela, as well as Andonis Foniadakis, Gabrielle Nankivell, William Forsythe, Alexander Ekman, Larissa McGowan, Kristina Chan, Gideon Obarzanek, Jacopo Godani, Shian Law, Melanie Lane, Cheng Tsung-Lung and Antony Hamilton. After five years with Sydney Dance Company, PERFORMING FEATURE ROLES IN AND APART OF MULTIPLE AWARD WINNING AND NOMINATED PRODUCTIONS, PETROS MADE THE move back home to Melbourne to pursue his career as a FREELANCE choreographer and dance artist.  Petros created his first professional work for Sydney Dance Company as a part of their ‘New Breed’ Season, the work winning ‘Best New Work 2017’ by Critics Choice Awards, Dance Australia. Since then, Petros has gone on to make work for The Australian Ballet (2019) AS WELL AS CHOREOGRAPH AN ADVERT FOR ANZ BANK (2020). PETROS most recently premiered his newest work ‘tethered’ with Queensland ballet (2022). When Petros is not working on professionally commissioned projects with companies, he is teaching dance and choreographing throughout the state of Victoria for many of Melbourne’s established dance institutions, AS WELL AS HAVING ADJUDICATED FOR SOME OF AUSTRALIA’S PRESTIGIOUS EISTEDDFODS, TEACHING MASTERCLASSES AND WORKSHOPS REGIONALLY, AND BEING INVITED TO ACT AS ONE OF THE FEW SELECTED PANEL MEMBERS FOR ‘VICARTS’ GRANTS.</image:caption>
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    <lastmod>2021-06-03</lastmod>
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    <loc>https://www.petrostreklis.com/dancetrailers</loc>
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    <lastmod>2022-11-01</lastmod>
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    <loc>https://www.petrostreklis.com/reviews</loc>
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    <lastmod>2021-06-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1622816426518-WT0CLD0DHSU6WN6OQQCG/NewBreed_ArtOfLettingGo_171130_312_hires_byPedroGreig.jpg</image:loc>
      <image:title>REVIEWS - “ Treklis’ work is memorable for his ability to “create” shapes and patterns, rather than simply incorporate the expected contemporary movements. It is here that he captures our attention and leaves us wanting more. This work is also memorable for the unexpected. ”</image:title>
      <image:caption>— Elizabeth Ashley: dance informa</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1622823118254-UAQUKTXKWE3H4TTQT09J/IMG_6887.JPG</image:loc>
      <image:title>REVIEWS - “Standout performances on the night came from Petros Treklis, both in a solo, and in a duet with Cass Mortimer Eipper where both men impressed.”</image:title>
      <image:caption>— GERALDINE HIGGINSON: DANCE AUSTRALIA</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1622823373270-CXI4HD1N557Y2UJ2RJLF/NewBreed_ArtOfLettingGo_171207_026_hires_byPedroGreig.jpg</image:loc>
      <image:title>REVIEWS - “SDC dancer Petros Treklis’s The Art of Letting Go comes a close second to WOOF for beauty of composition and he adds a jolt to the heart. Seven dancers are seen as aspects of one mind as Treklis repeats touching motifs of falling, rising, spinning and reaching to the music of Rachmaninov. The movement is often very fast but always splendidly structured and never less than lyrical and deeply felt. A huge success.”</image:title>
      <image:caption>— deborah jones: FollowSpot</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1622824055151-EBZZW96DWYYWV1IPHU67/IMG_6846.JPG</image:loc>
      <image:title>REVIEWS - “The highlight comes with an outstanding male duet danced by Cass Mortimer Eipper and Petros Treklis, the power of muscular attraction, denial, threat and tenderness with a lyrical cello solo echoing the intensity of emotion. Spontaneous applause erupted.”</image:title>
      <image:caption>— Lynne Dwyer: THE DAILY TELEGRAPH</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1622818321237-KHIALCU51BK4LI7ZDVZ5/NewBreed_ArtOfLettingGo_171130_317_hires_byPedroGreig.jpg</image:loc>
      <image:title>REVIEWS - “Petros Treklis is also concerned with the mind in The Art of Letting Go, for seven dancers, representing one person's efforts to forget and move on. A beautifully crafted piece, it is reminiscent of mid-20th century European choreography with its elegantly shaped ensemble, fluid communication between dancers and standout duets and solos, starting with a notable performance by Sam Young-Wright.”</image:title>
      <image:caption>— JILL SYKES: THE SYDNEY MORNING HERALD</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1622860779600-GU5VCI5JJTWAWOVV973Z/IMG_7935.JPG</image:loc>
      <image:title>REVIEWS - “…and I was sorry that the intense third duet, for Thomas Bradley and newcomer Petros Treklis, was not longer.”</image:title>
      <image:caption>— deborah jones: FollowSpot</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1622861150945-AHAXEWUCPQRNYJJCXB9J/NewBreed_ArtOfLettingGo_171207_032_hires_byPedroGreig.jpg</image:loc>
      <image:title>REVIEWS - “Next came Petros Treklis’ The Art of Letting Go .” 7 dancers portraying one man and his mind”. It opened with a fantastic solo for Sam Young-Wright looming out of the darkness. The seven wore grey outfits. In some ways it is perhaps reminiscent of Murphy’s ‘Purgatory ‘. Choreographically the work featured fluid, slinky movement, exciting ensemble work, runs, some striking, dangerous lifts… isolation movements are included, as well as stylized repeated small movements. There is an atmosphere of love and loss. It concludes with more tumultuous slinky, ensemble work.”</image:title>
      <image:caption>— LYNNE LANCASTER: SYDNEY ARTS GUIDE</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1622861236372-L4NGICAZ4AVW13O3G1CE/IMG_6847.JPG</image:loc>
      <image:title>REVIEWS - “…a heartfelt pas de deux that on opening night Cass Mortimer Eipper and Petros Treklis invested with tenderness and something like emotional caution or unease.”</image:title>
      <image:caption>— deborah jones: FollowSpot</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1622861557048-TZA3XPMVB3FGBZJAA58U/IMG_0754.JPG</image:loc>
      <image:title>REVIEWS - “A duet danced by Janessa Dufty and Petros Treklis showed a comfortable partnership that felt very easy to watch.”</image:title>
      <image:caption>— Chelsea Clark: THE DAILY TELEGRAPH</image:caption>
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      <image:title>REVIEWS - “…But back then you certainly never saw anything like Bonachela’s lengthy male duo with Cass Mortimer Eipper and Petros Treklis. Quicksilver in its constant reaching and withdrawing, the duo is also tender with detail of hands and other recurring motifs.”</image:title>
      <image:caption>— MARTIN PORTUS: DAILY REVIEW</image:caption>
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      <image:title>REVIEWS - “Greed opens in a long sensual duet between this dominant “queen”, Lisa Rowley, and the lone man (Petros Treklis), which is again repeated towards the end of the work. Rowley is a powerhouse pocket Venus with steely boa constrictor thighs, deep, diamond-shaped Egyptian eyes and a permanent “don’t f*** with me” expression; her glued-on disdain contrasts with an escort who is graceful, supportive and servile.”</image:title>
      <image:caption>— Graham Watts: DANCE TABS</image:caption>
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      <image:title>REVIEWS - “But at the heart of Anima is a male duet, long and intimate, although punctuated by occasional tension, between Cass Mortimer Eipper and Petros Treklis. The male duet has become something of a signature element for Bonachela and this one, which required huge stamina and body strength, was filled with exceptional moments when we had to ponder at the nature of the relationship between the two protagonists.”</image:title>
      <image:caption>— Michelle Potter: DANCE TABS</image:caption>
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      <image:title>GALLERY</image:title>
      <image:caption>'WILDEBEEST' IN REHEARSAL - GABRIELLE NANKIVELL | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/17020426-ae1c-4294-b58c-0289d5314d72/a19i1510-37.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'Tethered' - PETROS TREKLIS | Queensland Ballet</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/c999b594-208a-44f3-8e4a-25a7341de37f/IMG_6826.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'WILDEBEEST' IN REHEARSAL - GABRIELLE NANKIVELL | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/d9964358-77ef-48bc-82c3-c806882f7db6/a19i1513-38.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'Tethered' - PETROS TREKLIS | Queensland Ballet</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/24cac121-05f6-4eca-ba3d-ebaa0a6f9b3d/IMG_3296.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'CONFORM' - KRISTINA CHAN | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/bd75c682-3670-474f-b9c5-45322c693e57/a19i1522-40.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'Tethered' - PETROS TREKLIS | Queensland Ballet</image:caption>
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    <image:image>
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      <image:title>GALLERY</image:title>
      <image:caption>'CONFORM' - KRISTINA CHAN | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/b5b27ee6-6705-4c86-b9bd-6e2de9c89bf6/IMG_5118.jpg</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'CACTI' - ALEXANDER EKMAN | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1272b941-5993-41ac-a736-33d7c18131de/a19i1529-41.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'Tethered' - PETROS TREKLIS | Queensland Ballet</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/6eb68e12-f322-4c5a-bf41-f573c2ec3a0d/IMG_4943.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'CACTI' - ALEXANDER EKMAN | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
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      <image:title>GALLERY</image:title>
      <image:caption>'Tethered' - PETROS TREKLIS | Queensland Ballet</image:caption>
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    <image:image>
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      <image:title>GALLERY</image:title>
      <image:caption>'CACTI' - ALEXANDER EKMAN | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/c2aeed00-bd57-4c06-8092-8ba5d97738bb/a19i1560-45.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'Tethered' - PETROS TREKLIS | Queensland Ballet</image:caption>
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    <image:image>
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      <image:title>GALLERY</image:title>
      <image:caption>'CACTI' - ALEXANDER EKMAN | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/7451e5d3-40b3-48b0-8a50-b0c3a44c2acf/a19i1564-46.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'Tethered' - PETROS TREKLIS | Queensland Ballet</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/813801e4-124c-46f5-8ee6-02b0f6a80cf9/IMG_5168.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'CACTI' - ALEXANDER EKMAN | SYDNEY DANCE COMPANY</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/f889fed5-a920-4c87-82f8-2e5255b0b973/a19i1583-48.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'Tethered' - PETROS TREKLIS | Queensland Ballet</image:caption>
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      <image:title>GALLERY</image:title>
      <image:caption>'CACTI' - ALEXANDER EKMAN | SYDNEY DANCE COMPANY</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/b0e4f78a-a023-4f60-833e-6d9d79f72bf9/IMG_6178.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'CACTI' - ALEXANDER EKMAN | SYDNEY DANCE COMPANY</image:caption>
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      <image:title>GALLERY</image:title>
      <image:caption>'2 ONE ANOTHER' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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      <image:title>GALLERY</image:title>
      <image:caption>'2 ONE ANOTHER' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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      <image:title>GALLERY</image:title>
      <image:caption>'2 ONE ANOTHER' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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      <image:title>GALLERY</image:title>
      <image:caption>'2 ONE ANOTHER' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/8d367a6e-51e1-4027-856d-9b4e4061e398/IMG_4482.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'FOREVER AND EVER' - ANTONY HAMILTON | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
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      <image:title>GALLERY</image:title>
      <image:caption>'FRAME OF MIND' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/0ebc9aa5-e437-4806-bad2-98d8282ce523/IMG_1311.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'FRAME OF MIND' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/026f6681-1e12-474c-a6fc-0d65732d162d/IMG_4445.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'FRAME OF MIND' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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      <image:title>GALLERY</image:title>
      <image:caption>'FRAME OF MIND' ON TOUR - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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      <image:title>GALLERY</image:title>
      <image:caption>'FRAME OF MIND' IN REHEARSAL - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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      <image:title>GALLERY</image:title>
      <image:caption>'FRAME OF MIND' IN REHEARSAL - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
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      <image:title>GALLERY</image:title>
      <image:caption>'FRAME OF MIND' IN REHEARSAL - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
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      <image:title>GALLERY</image:title>
      <image:caption>'LUX TENEBRIS' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/a9003b61-b1ad-40d5-99a1-3590c163cea1/IMG_4977.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'LUX TENEBRIS' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
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      <image:title>GALLERY</image:title>
      <image:caption>'LUX TENEBRIS' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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      <image:title>GALLERY</image:title>
      <image:caption>'LUX TENEBRIS' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/2356e8c7-1f1b-408f-ba7b-93beaa22804b/IMG_0223.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'VARIATION 10' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/c1d9dafc-c532-4613-80dc-6719b8691cf4/IMG_0227.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'VARIATION 10' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1623333741005-U6ZUIZJDHA9NM5IO1KT5/IMG_0581.jpg</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'VARIATION 10' IN REHEARSAL - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1623334448920-QKPARPNOQGHHKQ1RBA4O/IMG_0754.jpg</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'QUINTETT' IN REHEARSAL - WILLIAM FORSYTHE | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/1623334615498-PMUISGOKX291LYOR3GVL/IMG_1453.jpg</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'QUINTETT' IN REHEARSAL - WILLIAM FORSYTHE | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
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      <image:title>GALLERY</image:title>
      <image:caption>'SCATTERED RHYMES' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/8820bf01-a6d4-4f54-8367-910ee2e6de0b/IMG_7935.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'SCATTERED RHYMES' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/537c1e37-f9b9-490b-8635-78a7aa8f537c/IMG_8010.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'SCATTERED RHYMES' - RAFAEL BONACHELA | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/a6b7a828-6ef6-4c24-a5ba-2c2f62e5fafa/IMG_5052_Facetune_16-11-2018-18-31-45.jpg</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'TELOPEA' - JANESSA DUFTY | SYDNEY DANCE COMPANY</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60b83336d66e124dc3120570/2a821828-7f54-45cd-a2c9-8410807bd5b1/IMG_1952.JPG</image:loc>
      <image:title>GALLERY</image:title>
      <image:caption>'EPIC THEATRE' - SHIAN LAW | SYDNEY DANCE COMPANY</image:caption>
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  </url>
</urlset>

